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DTSTART;TZID=Pacific/Auckland:20230305T160000
DTEND;TZID=Pacific/Auckland:20230305T190000
DTSTAMP:20260406T133712
CREATED:20230206T043235Z
LAST-MODIFIED:20230304T095621Z
UID:11948-1678032000-1678042800@www.fairfieldnelson.org.nz
SUMMARY:JUKE JOINT  Concert CANCELLED
DESCRIPTION:Due to heavy rain forecast it has been decided to cancel this concert. Apologies for any inconvenience! \nFormed in late 2020\, Jukejoint is a Nelson band playing electric blues and old-school R & B\, with a touch of Americana. \nInspiration comes from such Blues legends as Jimmy Reed\, Paul Butterfield\, Bo Diddley\, Junior Wells\, Billy Boy Arnold\, Muddy Waters\, Howlin’ Wolf\, The Rolling Stones\, Keb Mo and numerous others. Our Set List includes all-time favourites Way Down in the Hole\, Route 66\, Muskrat\, Born in Chicago and Mystery Train. \nRelatively new to the Nelson music scene\,  the band has a formative association with the recently formed Tasman Bay Blues Club. \nJukeJoint performed an exciting 3hr set in the Fairfield Courtyard back in November 2022 on a drizzly Sunday afternoon and people came and danced in the rain. This time it’s goin to be a Sunny Sunday afternoon so come along in your dancin shoes and rock to their fabulously enticing beat. \nBar operating & Food cart onsite catchya here!
URL:https://www.fairfieldnelson.org.nz/event/juke-joint-nelsons-blues-band/
ATTACH;FMTTYPE=image/jpeg:https://www.fairfieldnelson.org.nz/wp-content/uploads/2023/02/Jukejoint-5-March-2023-Portrait-final.jpg
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DTSTART;TZID=Pacific/Auckland:20230319T193000
DTEND;TZID=Pacific/Auckland:20230319T193000
DTSTAMP:20260406T133712
CREATED:20221018T233147Z
LAST-MODIFIED:20230227T001817Z
UID:11589-1679254200-1679254200@www.fairfieldnelson.org.nz
SUMMARY:Tattletale Saints
DESCRIPTION:Tickets @ Eventfinda\n\n\nExpat Americana duo Tattletale Saints return home in March to celebrate the release of their new album\, In the Summertime\, out on March 3rd.\n\nOn the 2023 release\, Cy Winstanley (vocals/guitar) and Vanessa McGowan (vocals/bass) dive deep into old set lists\, with fresh takes of everything from old country traditional s and bluegrass to reggae and 70’s pop.\n\nBill Monroe famously declared you couldn’t tell if a band was any good unless you heard them play something you already knew. On their new album\, the Saints take the father of bluegrass to heart with a collection of cover songs that celebrate the diverse sound audiences have been falling in love with since the band’s first New Zealand tour in 2010.\n\nThe Auckland-born duo moved to Nashville\, Tennessee\, in 2014 and have built flourishing careers as session players in Music City. Individually\, they tour and record with various Americana and country acts\, and together for multi-Grammy nominated artist Brandy Clark.\n\nTattletale Saints won the Aotearoa Music Award for Folk in 2014 and 2021\, plus a nomination for Silver Scroll in 2013. The 2023 New Zealand tour also celebrates the vinyl release of Dancing Under The Dogwoods\, released in 2020 and the winner of the 2021 Aotearoa Music Award.\n\n“Intelligent\, entertaining\, and thoroughly captivating” 
Sing Out! Magazine\n\n“Beautiful organic folk songs…shimmers like an Indian summer afternoon” 
Acoustic Guitar Magazine\n\n“There is a timeless quality to the Tattletale Saints’ music\, simultaneously classic roots and modern revival\, placing them alongside the more notable artists of today’s scene. There are elements of folk\, good old Appalachia-style music\, and a splash of country in their sound\, too\, which they do exceedingly well. And this all comes together to create well-written songs with stirring vocals” No Depression\n“Sensitively understated folk and subtle simplicity…songs as memorable\, lyrically considered and melodically engaging as many of Paul Simon’s…a very emotionally engaging album” 
Graham Reid\, elsewhere.co.nz\n\n“Cy is a beautiful singer\, melodic yet conversational\, and a vocal resemblance to Paul Simon is only heightened by the ambitiousness of his songwriting…in the unadorned setting of the duo it becomes clear how complete that talent is” 
Nick Bollinger\n\nhttps://youtu.be/t32E9cNALzE
URL:https://www.fairfieldnelson.org.nz/event/tattletale-saints-3/
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DTSTART;TZID=Pacific/Auckland:20230323T193000
DTEND;TZID=Pacific/Auckland:20230323T193000
DTSTAMP:20260406T133712
CREATED:20221213T013547Z
LAST-MODIFIED:20230220T063853Z
UID:11868-1679599800-1679599800@www.fairfieldnelson.org.nz
SUMMARY:Tom Rodwell: Wood & Waste Album release tour
DESCRIPTION:Tickets @Humanitix \nAuckland singer-guitarist\, blues musician and writer Tom Rodwell isn’t as well known as he should be\, unless you read the fine print on recordings by Coco Davis and Don McGlashan’s last Lucky Stars. \nBut his Wood & Waste is a delightful and sometimes dark journey from downbeat electric blues (Don’t Be a Fugitive All Your Life) through idiosyncratic funk (Keep on Knockin’)\, slippery exotica (Plenty Time bringing West African juju guitars to where Harry Nilsson and Ry Cooder find common ground) and earthy slide guitar blues (the steamy Touch Me Like a Teddy Bear). \nHere too is the rolling Caribbean simmer of She Got Me Boiling (cannibalism for your dancing shoes)\, addictively supple pop (Make Believe) and ethereal guitar paralleling the reflective\, exceptionally beautiful Dead End Road. \nRodwell – whose guitar playing has the warmth and fluidity of J.J. Cale and Bill Frisell or the grit of a Chicago blues bruiser – delights in the oblique: Keep on Knockin’ mentions 19thcentury British polymath William Morris and American painter Edward Hopper. \nBy saying less (Small Town)\, Tom Rodwell offers understated ideas which often hit head\, heart and feet simultaneously. \nAn English artist based in New Zealand\, Rodwell’s vision of post-blues as dance music has been supple enough to\nembrace rhythms from spirituals and calypso\, and seen him support acts like Otis Taylor\, C.W. Stoneking and Leon\nRussell. (“Beautiful tunes\, beautiful groove—you don’t hear that anymore\,” said Derek Trucks). A parallel career\nas a session player has seen him moonlight live and on record for artists as diverse as Lonnie Holley\, Robert Lamm and Don McGlashan\, as well as various avant-jazz projects. \nIt’s an eclectic\, danceable (even solo) show\, going from raucous to moody and back\, and generally a good time for all bohemians. So come groove in the Fairfield Ballroom
URL:https://www.fairfieldnelson.org.nz/event/tom-rodwell-wood-waste-album-release-tour/
ATTACH;FMTTYPE=image/jpeg:https://www.fairfieldnelson.org.nz/wp-content/uploads/2022/12/Tom-Rodwell.jpg
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DTSTART;TZID=Pacific/Auckland:20230326T193000
DTEND;TZID=Pacific/Auckland:20230326T193000
DTSTAMP:20260406T133712
CREATED:20221018T233750Z
LAST-MODIFIED:20221201T033336Z
UID:11592-1679859000-1679859000@www.fairfieldnelson.org.nz
SUMMARY:Lachy Hamilton Trio
DESCRIPTION:Lachy Hamilton Trio\, features\nHarry Morrison – Double Bass\nPatrick Danao – Drums\nLachy Hamilton – Saxophone / Compositions \nHailing from the small community on Scotland Island\, Sydney\, Australia\, Lachy Hamilton began playing the piano at the age of four. Taking up the clarinet\, and then saxophone soon after\, his musical journey has taken him around the world performing with the likes of James Morrison\, Wycliffe Gordon\, Kate Ceberano\, James Muller\, Sarah McKenzie\, Patti Austin\, The Melbourne Symphony Orchestra and many more. \nIn March 2019\, Hamilton released his debut album ‘Alchemy’. Inspired by Paolo Coelho’s novel The Alchemist\, the album features the talents of Australia’s brightest up and coming musicians. \n“[The Alchemist’s] ‘Urim and Thummin’ spawns a Hamilton tenor solo showing a striking ability to alchemise a liquid flow of ideas into a much more robust and compelling statement.” – John Shand (SMH 2019). \nAs James Morrison says: “with Hamilton\, the future of jazz is in good hands”.
URL:https://www.fairfieldnelson.org.nz/event/lachy-hamilton-trio/
CATEGORIES:Concerts, Shows & Talks
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